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NYU GSAS Musicianship Wiki 

where NYU GSAS musicianship dreams come true


 

Welcome!

 

Are you curious about what goes own behind the closed doors of the Harmony and Counterpoint recitation classroom? Are you looking for inspiration for your post-structuralist Balinese ethnomusicianship course? Did you get stuck with H&C 1 recitations after spending ten years trying to repress your own conservatory musicianship training? You've come to the right place for musicianship secrets, treasures, and therapy.

 

Apologies for the irritating "TO DO:" reminders sprinkled liberally throughout the pages; they'll disappear as more pages appear.

Also sorry for the surfeit of bullet-point lists.

 

Privacy

 

I've turned this into an invitation-only wiki because it contains links to exams. If you'd like to join, let me know and I'll add you to the list.

Anyone can now view the wiki, though I still have to add you to the list if you want to contribute.

 

What belongs on this wiki

 

 

You're welcome to simply point out the existence of this-or-that resource, but given the surfeit of theory material nowadays, it's better if you add a review. The more the review addresses practical issues, the better. For example, maybe you think the pseudo-positivism of Aldwell and Schachter's "Harmony and Voice Leading" is historiographically problematic. Great, save it for the grad lounge. Talk about this instead: did A&S's presentation of chord progressions help you teach keyboard harmony and figured bass? Were you able to twist A&S's Schenkerian analysis into some sort of listening exercise? Did you have better experiences with other texts, other methods of organizing or representing this material? &c.

 

What doesn't belong on this wiki

 

 

Etiquette

 

 

Questions

 

 

Once I make you a member of the wiki, feel free to write your comments here.

 

---Ness


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